2025 | [new opera] | for Festival Informal de Ópera | ||
2025 | Enterro dos nomes | 3' | for soprano & piano | commissioned by Helena Vasques for "O meu nome é Ópera" |
2025 | A zebra, o burro, a mágoa e o tédio | 10' | for jazz orchestra | commissioned by Hot Clube Portugal |
2024 | When She Died | 12' | for ensemble & electronics | commissioned by Casa de Música for the Remix Ensemble |
2024 | Música Possível | 9’ | for ClandesTrio | commissioned by Casa de Música |
2024 | 16' | for body percussion choir & orchestra | commissioned by Gulbenkian Foundation for the participatory project Sons de uma Revolução with Artallis & Gulbenkian Orchestra; Mikhail Karikis, artistic direction | |
2024 | Lest | 9’ | for orchestra | commissioned by Casa da Música |
2024 | Tanto Mar (Chico Buarque) | 5' | arrangement for choir & orchestra | commissioned by NOVA University of Lisbon, Loures Municipality and Metropolitan Orchestra |
2024 | Madrugada - As razões de um movimento | 15’ | opera for the 50th anniversary of Portuguese democracy (fourth act) | commissioned by MPMP |
2023 | 30' | song cycle co-created with singer-songwriter Julia Ehninger | supported by Goethe Institut & Koln City Council | |
2023 | ai, disse o quinzim do sô sátí | 3' | youth string orchestra | commissioned by Quadrivium for Raizarte (social inclusion program) |
2023 | 30' | music for a performance by Gustavo Sumpta | commissioned by Operafest | |
2023 | 2'30 | soprano & piano | commissioned by Duo Interdito | |
2023 | 10’ | for string quartet | commissioned by Ensemble Darcos | |
2023 | 25’ | for soprano, baritone & orchestra | commissioned by the Portuguese Philharmonic Orchestra | |
2022 | Caminhar (Tiago Bettencourt) | 5' | arrangement for orchestra | commissioned by Tiago Bettencourt |
2022 | Partir a pedra (Tiago Bettencourt) | 3' | arrangement for orchestra | commissioned by Tiago Bettencourt |
2022 | Ai, tu é que és o meu rapaz | 20’ | chamber opera (sop, ten, cl, vc, pno, multimedia) based on a case of domestic violence | commissioned by Quarteto Contratempus |
2022 | 6’ | for solo piano | commissioned by Jill Lawson and Musicamera Produções | |
2022 | Black Dress | 20’ | for TV opera series “Red Curtain” (under production) | commissioned by Ópera do Castelo |
2021 | The Wings | 25’ | for TV opera series “Red Curtain” (under production) | commissioned by Ópera do Castelo |
2021 | 30’ | chamber opera | commissioned by FIO | |
2020 | Margarida | 25’ | chamber opera, winner of the New Opera Competition | commissioned by Operafest |
2020 | Algo_Ritmo | 27' | music for dance, choreography by Xavier Carmo and Henriett Ventura | commissioned by the National Ballet Company |
2019 | Lua Cheia | 5’ | voice & piano | commissioned by Yara Ensemble, USA |
2019 | 9' | voice, 5 flutes & piano | honorable mention at Bernardo Sassetti Composition Competition (3rd edition) | |
2018 | Nelle scarpe di Giufà | 60' | original music for theater written and directed by Laura Fatini | commissioned by Arrischianti, Sarteano, Italy |
2018 | Janelas | 25' | for the Setúbal Youth Ensemble, with Maria João (guest participation) | commissioned by Festival de Música de Setúbal |
2018 | 17’ | for narrator & orchestra | commissioned by São Carlos National Theater | |
2016 | 5’ | for choir a cappella | commissioned by Regina Coeli Lisbon Choir | |
2016 | 10’ | choir & orchestra, words of Bahá’u’lláh | commissioned by Ricercare Choir | |
2016 | 10’ | for soprano & orchestra | commissioned by Ponta Delgada Sinfonietta | |
2016 | 5’ | for wind orchestra | commissioned by band director Hélder Alves | |
2015 | Alentos | interludes for the opera Ester | commissioned and produced by Lisbon College of Music Opera Studio | |
2015 | Cartografia | 9’ | for piano quartet & soundtrack | commissioned by Ensemble Darcos |
2015 | Baú da Descoberta | 55’ | music-theater | commissioned by EGEAC - Lisbon Municipality Cultural Equipment |
2014 | 4’ | for baritone, brass quartet, 3 perc, 8 female singers & 8 dancers, based on an Azorean traditional melody | in collaboration with Lisbon Dance College | |
2014 | 25’ | cantata for soprano, choir & orchestra, based on Bahá’i Scripture | ||
2012 | 10’ | for 3 clarinets, viola, cello | ||
2010 | 5'48 | for guitar and tape | ||
2010 | acousmatic | |||
2009 | 8' | acousmatic | ||
2008 | 6' | acousmatic | Honorable Mention "Best Portuguese Piece" at the Miso Music Electroacoustic Composition Competetion |